By Vighnesh Hampapura
Many have dubbed ‘Kattale Belaku’ philosophical. There is a disillusioned playwright (Jagadish Manavarte), who has material grouses with theatre: he lives in his father’s house; all the plays brought him was fame. There are two drama (tic) fellows behind him, a director (Hulgappa Kattimani) and a producer (Prashanth Hiremath), persuading him to write them a play. As they enact different stories to him, for inspiration, with a list of conditions to please the audience, the play does touch fundamental questions — philosophical, one might say — of theatre, of literature in fact.
