By Dr. Padmavathi Narasimhan
The evening programme on 5th December began with Surabhi’s concert. Surabhi is a confident and accomplished vocalist with a bold voice. Her rendition of ‘Raksha Maam SharaNagatam’ Of Chembai fame by Bangalore Nagaraj decorated with brisk swaras at madhyama kala sahitya made a grand beginning. Her main selection for the evening was Shanmukhapriya, wherein Surabhi did justice to Patnam subramanya Iyer’s ‘Marivere dikkevarayya Rama’ with a neraval at ‘Sannutanga Shri Venkatesha neevu’ followed by intellectual swaras. Shruti on violin and Vinay Nagarajan on mridanga followed the vocalist with effortless ease. Training under such Gurus as Neyveli Santana Gopalan and Sangeetacharya P.S.Narayana Swamy, and Karaikkudi Mani has given Kunnakudi Balamuralikrishna strict adherence to shruti, impressive articulation, good manodharma and accurate kala pramana in presentation, neraval and swara kalpana. His concert at the music conference on 5th December with Mathur Srinidhi on violin, Sudheendra on mridanga and B.S. Arunkumar on morching proved this to the audience yet again. The young gentleman’s passion for accuracy in his rendition was evident throughout the concert. Kunnakudi had chosen hardly half a dozen compositions for the occasion. But each of them had precision, a completeness and an individuality of his own. ‘Eti Janmamidi ha’ by Tyagaraja rendered in a scholastic manner was detailed on an elaborate neraval at ‘Saati leni mAra koti lavanyuni.’ Also the swara adjunct with ‘sa’ as the central note was replete with raga bhava.
