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Vol. XLVIII · No. 134 · Established 1978 · Founded by K.B. Ganapathy
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A unique blend of Karnatak Music and Rabindra Sangeet

An unusual programme of Rabindra Sangeet based on Karnatak music compositions has been organised on Sunday (May 12) at Kalpa Kshetra Auditorium, 581/1, Vijayanagar 4th Stage, 1st Phase, Mysruu at 6.30 pm…

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Published May 10, 2019 · 1 min read
a unique blend of karnatak mus

An unusual programme of Rabindra Sangeet based on Karnatak music compositions has been organised on Sunday (May 12) at Kalpa Kshetra Auditorium, 581/1, Vijayanagar 4th Stage, 1st Phase, Mysruu at 6.30 pm .

Noble Laureate Rabindranath Tagore visited Mysore in 1922 as a special guest at the Dasara festival during the reign of Nalwadi Krishnaraja Wadiyar. Dewan Mirza Ismail took special interest to welcome and receive him. As a music composer of extraordinary abilities with an open mind to listen to and absorb all varieties of music, he was curious about Karnatak music. His niece Sarala Devi, who had spent quite a bit of her time in Mysore introduced him to Karnatak music and its numerous composers and compositions. Karnatak musician Savitri Govindakrishnan, who was a student at Shanthiniketan, familiarised Tagore with many of the well-known Kritis of South Indian Classical music. Tagore composed many Rabindra Sangeet Compositions based on Karnatak music pieces. For example, the anthem of the Mysore Royal Kingdom, Kayo Shri Gowri was the basis of the well-known Ananda Loke Mangala Loke in Bengali.

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